We were given full access to the theater the day before, had a luxuriously long rehearsal and sound check, our needs and requests were covered by a staff genuinely excited for the show. The Exploratorium exhibit hall was packed and our closing segment of the evening was SRO. It was hands down the best show we’ve done. The moving images of Thad Povey, Al Alvarez, Rock Ross and Diane Best were given a full live audio score by myself (guitar, electronics), Suki O’Kane (drum kit, electronics) and Wayne Grim (guitar, electronics) and the ninety-nine speaker Meyer Sound Constellation array had sounds flying all around the room. We were told it was the happiest, most attentive crowd to date at the Kanbar.
So here we have the best of all worlds. A city that invests in itself, a classy venue that commands a respectable admission price (GP $15, members free), an attentive satisfied audience – and all the artists (and workers) got paid. This helps. A lot. Thanks to San Francisco, The Exploratorium’s Liz Keim and Sam Sharkey and to the audience that helped make it the success it was.
Note: This is a companion piece to my last post and perhaps will illustrate the variance in my and many musicians performance experiences.