Apathy Destruction continues. This time running backwards, like so many politicians. This will be great fun.

Feb 17 2012 LM solo/collab
@ The Wreck Center 155 LBJ, San Marcos, TX – 8:00 PM

Feb 18 2012 LM solo/collab
@ Bernadette’s 2039 Airport Blvd, Austin – 9:00 PM

Feb 19 2012 LM solo/collab – LM solo/collab
Tba in New Orleans, LA or Little Rock AK – 8:00 PM

Feb 20 2012 LM solo
@ Solidarity 1609 Bardstown Road, Louisville KY – 8:00 PM

Feb 21 2012 LM/Rob Wallace
@ Grounds For Thought Coffee House Bowling Green OH- 7:00 PM

Feb 22 2012 LM w/ Nate Scheible, Bob Drake, etc
@ Bela Dubby 13321 Madison Ave, Cleveland OH – 8:00 PM

Feb 23 2012 Flexfest! – LM & David Grollman
@ Flopera House 381 Congress St, Boston – 11:00 PM

Feb 24 2012 LM (solo meditation bowls set)
@ Church of the Advent 30 Brimmer Street Boston, Boston – 8:00 PM

Feb 24-25 2012 LMNo! @ XFEST 2012
@ 119 Gallery 119 Chelmsford Street, Lowell – 11:55 PM & 2:00 PM

Emily Hay, Amy DeNio, Brad Dutz and LM @ Eagle Rock Open Gate Series, Los Angeles Jan 8, 2012. I showed the gang one of my microdecibel Deconstructing Blues series scores just before we went on.

Co-creator, Thad Povey has posted a full length version of The Overdub Club’s 2010 digital music & film piece, Nightsoil.

Nightsoil from T Povey on Vimeo.

It has been an honor and privilege to know, record and perform with Richard Lainhart, an amazing musician, sound sculptor and human being.

Richard and I met in late 2009 in NYC at an “experimental” music curation that we were both participating in. His sound and composition esthetic overwhelmed me and I felt an immediate connection with it. It was a language I understood. He was kind enough to allow me to sit in with him at a later performance date, Richard with his Buchla modular synth and Hakken Contiuum controller setup and myself on prepared lap steel guitar and effects. We soon thereafter began to record sessions at his home studio, generating enough material which I hope to edit, master and have released in 2012.

Richard and I performed together again on several occasions in 2011. At our last show together, December 11 in Brooklyn, Richard reminded me that I was the only person, other than himself, to perform his Orchestra of the Future improvised live score to his History of the Future film (an assemblage of Prelinger Film Archive material) more than once – as it was his intention to have as many new players be a part as possible.

Thank you, Richard for your sonic legacy and big heart.